I oughtn't be in pictures.

As a watcher of television and movies, the Writer's Guild of America strike is sort of interesting to me. As a writer who once thought she wanted to be a screen writer, it's more than interesting because these are people who share my art and dreams. A writer is a writer is a writer. We tell stories. It doesn't matter whether they're acted out or on the page, it's the same thing: putting words together to communicate an idea that wasn't there before. I may have realized I do not have the collaborative spirit that a screenwriter needs to have to succeed, and I really suck at not controlling everything my characters do, but still, I think I know what's in the hearts of people who are lucky enough to make things up for a living.

I find myself following the posts and especially the comments at DeadlineHollywoodDaily. It's the best place I've found to get an almost unbiased look at what's happening with the strike. With every day that goes by, I become more certain that writers do deserve to own what they write, every last bit, unless they chose to sell it free and clear. I also become less certain how people who are known for being introverts and independent thinkers will stick together long enough for a successful strike. I don't know any writers who like to spend a lot of time interacting with other people. Sure, we enjoy watching them. But presenting a united front? Artists? It's just not in our blood. And just how long can people who write because if they couldn't they wouldn't want to live be able to go without writing? I know they're working on stuff on their own, but a big group of those striking folks are used to getting positive strokes for what they do. Can they go back to doing it only for themselves? I know I couldn't. Good thing for me novelists are independent contractors.

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